French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.  Related Paintings of Edgar Degas :. | Young Spartans exercising | The Laundresses | Portrait of the Bellelli Family | Mr Edward and Mis Edward | Portrait of a Man |
Related Artists:
Circle of Denis van Alsloot
Daniel or Denis van Alsloot (Dutch: Denijs van Alsloot) (c.1570-c.1626) was a Flemish Baroque painter.
Eero Jarnefelt
(8 November 1863 - 15 November 1937) was a Finnish realist painter. Eero Järnefelt was born in Viipuri, Finland. His father August Aleksander Järnefelt was an officer in the Russian army and his mother was Elisabeth Järnefelt. He studied at the St. Petersburg art academy between 1883 and 1885, the same school at which Albert Edelfelt had studied. Eero Järnefelt's sister Aino Järnefelt married composer Jean Sibelius in 1892, Eero Järnefelt's sisters and brothers were Kasper, Arvid, Aino Ellida, Ellen, Armas, Hilja and Sigrid. He went to study in Paris in 1886, where he became friends with Akseli Gallen-Kallela, Emil Wikström and Louis Sparre. He was inspired by the plein-air and naturalistic paintings of Jules Bastien-Lepage On a trip to Keuruu in 1889, he met actress Saimi Swan. They were married in 1890. His most famous painting is probably The Wage Slaves (Raatajat rahanalaiset or Kaski, from 1893, External link), depicting slash-and-burn agriculture.
James Seymour
British Painter , ca.1702-1752 English painter and draughtsman. The son of James Seymour (d 1739), a dealer in pictures and precious metals, Seymour was among the first English painters to specialize exclusively in sporting subject-matter. Though he possibly received some informal drawing instruction from the topographer Francis Place, Seymour was essentially a self-taught artist whose education was based on the study of pictures that passed through his father's hands; one of his earliest known works is a sketch of a horse's head after van Dyck (sold London, Christie's, 16 June 1970). His early 'genius to drawing of horses' was, according to George Vertue, compromised by 'modish extravagances' through living 'gay high and loosely' and because he 'never studied enough to paint or colour well'. Elsewhere, however, it was recorded that by 1739 he was 'reckoned the finest draughtsman in his way [of horses, hounds etc.] in the whole world' (Universal Spectator, 1739), and he was certainly preferred to his chief rival, John Wootton, by many sporting patrons. Among his employers was William Jolliffe MP, of Ammerdown. Though many of his paintings are either derivative of Wootton or simply inept, or both, others are characterized by a self-conscious stylistic naivety in which meticulous attention to detail and eerily static compositions combine to create curiously memorable images of some apparent sophistication.